Living Enclosures

Stony Brook University English Graduate Conference — February 23, 2024

2023 Conference Program

February 17th, 2023

Breakfast and Registration | 8:30-9:10 AM

Location: Poetry Center (HUM 2001)


Plenary Address: “Ocean Vuong and the Usefulness of Refugee Beauty” | 9:15-10:30 AM

Location: Poetry Center (HUM 2001)

Presented by: Timothy K. August


Session 1 | 10:45-11:50 AM

Panel 1a: Fluid Attention and Misrepresentations

Location: Humanities 2052

Faculty Respondent: Simone Brioni

  • “The Mis-representation of Africa’s Intangible Heritage in Madagascar Escape 2 Africa (2008)” by James Gonese
  • “Yours Truly: Dreiser’s Sister Carrie as Epic Drama” by Sophie Stein
  • “Castro and I: Resisting Identification in Jordan Castro’s The Novelist” by Akosua Adasi

Panel 1b: Gender (and) Performance

Location: Bev Birns Conference Room (HUM 2018)

Faculty Respondent: Dr. Celia Marshik

  • “Girl Culture and the Network of Girlhood Relationships in the works of Anna Burns and Lucy Caldwell” by Lizzie Belnap
  • “The Center of Attention: Literacy, Pornography, and the Price of Humanity” by Tess Patalano

Panel 1c: Race, Space, Racism and Testimony

Location: Poetry Center

Faculty Respondent: Timothy K. August

  • “The Privilege Your Beauty Bears”: Exploring Julie Taymor’s Critique of Contemporary Racism Through Symbolism and Setting in Titus” by Kate Rutherford
  • “The Intention of Space and Place in African American Literature and Text” by Khadijah Boxill
  • “Racism and Testimonial Injustice: The Experiences of African LGBT+ Asylum Seekers within the Euro-American Asylum System and the Need for Politics of Attention” by Emillion Adekoya

Lunch | 12:00-1:00 PM

Location: Poetry Center (HUM 2001)


Session 2 | 1:00-2:20 PM

Panel 2a: Confluence: Surveillance, Propaganda and the Artist

Location: Bev Birns Conference Room (HUM 2018)

Faculty Respondent: Dr. Katherine Johnston

  • “Symphonies and Soundbites: The Harmony of Social Media Surveillance and Cancel Culture in Todd Field’s Tár” by Sam Littman
  • “Seeing with F.B. Eyes: The Psychic Gymnastics of FBI Surveillance of the Civil Rights Movement” by Samriddhi Agrawal
  • “When the Children Touched the Paintings: The Afterlives of the New German Cinema and the Red Army Faction” by Rosa Martinez

Panel 2b: Medicalized, Demonized and Dancing Bodies

Location: Humanities 2052

Faculty Respondent: Dr. Justin Johnston

  • “Truth, Legend, or Lie: The Elizabeth Bathory Story” by Andreley Bjelland
  • “Paying Attention: The Cost of Chronic Illness in Panic Room” by Julia Brown
  • “Understanding Valery’s Fourth Body Through the Dancing Body” by Noor Imran

Session 3 | 2:30-3:50 PM

Panel 3a: Robust Afterlives and the Notably Notorious

Location: Humanities 2052

Faculty Respondent: Dr. Jessica Hautsch

  • “‘Some things should never be remade’: Posthumous Discourses Surrounding Anthony Bourdain” by Lauren Randall
  • “Bold on the Page: Margaret Cavendish and Fanfiction as a Literary Tradition” by Callie Gonsalves
  • “Fame and The Political Prophet” by S. Yarberry

Session 4 |4:00-5:20 PM

Panel 4a: Unstable Homes: Trauma and the Anthropocene

Location: Bev Birns Conference Room (HUM 2018)

Faculty Respondent: Dr. Sara Santos

  • “Post-Apocalyptic Shakespeares: Trauma, Memory, and Performance in Station Eleven (2014)” by Susan Harris-Gamard
  • “Reclaiming the Homeland: Palestinian American Understandings of Home in Literature” by Dyala Kasim
  • “Borderlands in a Planetary Age” by Karl Nycklemoe

Panel 4b: Attention Online

Location: Humanities 2052

Faculty Respondent: Dr. Jessica Hautsch

  • “Cat Got Your Attention: Boredom, Attention and Time in the Digital Age” by Tirna Chatterjee
  • “Influence, Instagram Baddies, and Wielding Attention” by Gillian Kenah
  • “Is Cancel-Culture Carceral? A Deconstruction of Cancel Culture Discourses Through an Abolitionist Lens” by Sam Davis

Keynote Address: “‘The Air Itself Is Filled With Monsters’: Fame, Circulation, And Universal Horror” | 5:30 PM

Location: Poetry Center (HUM 2001)

Presented by: Dr. Will Scheibel

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